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However, I will say my work centres on an interest in the universality of our biological make-up and landscape; combined with the collective sense of the sublime.
I hope it psychologically involves the viewer with the ‘making process’, provoking instinctive responses to their precarious assemblages.
My work on b3ta examines hesitation as part of the process of decision-making, where the object is neither the object of objecthood nor the art-object. It is rather the oblique object of my intentions. Somewhat like scratching your arse in public, then sniffing your fingers.